Edith Alonso   
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On the album Collapse(2016):

The WIRE, UK, (Issue #393, November 2016)

"Je suis perdue", proclaims writing on a wall in one of George Zahariou's photographs on the cover of Collapse. Nearby in the same image "madness" is scrawled above a boxed-in drawing of a receding spiral. Architectural dereliction and psychological turmoil coincide in the visual artwork, and Edith Alonso's four-part composition for prepared electric bass mirrors that combination with sinister subterranean murmurs, spooky rumbling, ominous rustling and alien chatter. Recorded in Zaragoza in May 2014, Collapse has acoustic depth and expressive breadth far beyond the limits its basic instrumentation might suggest. Alonso starts with the bass guitar as a physical resource but her music has the intensity and imaginative scope that transcend the well-worn cliches of dark ambience and low end atmospherics. Irreconcilable tensions spread through its stratified soundscapes; menacing faultlines open up as layers slide and clash. An engrossing study in physical and psychic disintegration".

http://grisli.canalblog.com/archives/2016/09/09/34298453.html by Guillaume Belhomme
http://skug.at/article8458.htm  by Curt Cuisine


On the album Le jazz non plus (2015):

http://lamuerteteniaunblog.blogspot.com.es/2017/01/edith-alonsokumi-iwaseantony-maubert-le.html
http://orynx-improvandsounds.blogspot.com.es/2016/02/trevor-watts-veryan-weston-hugues.html
http://lahabitaciondeljazz.blogspot.com.es/2016/01/edith-alonso-kumi-iwase-antony-maubert.html
http://www.freeformfreejazz.com/2016/01/bruces-fingers-tres-decadas-e-muitos.html
http://www.soundofmusic.nu/www.soundofmusic.nu/index/index.html
http://lahabitaciondehttp://lahabitaciondeljazz.blogspot.com.es/2016/01/edhttp://lahabitaciondeljazz.blogspot.com.es/2016/01/edith-alonso-kumi-iwase-antony-maubert.htmlith-alonso-kuhttp://lahabitaciondeljazz.blogspot.com.es/2016/01/edith-alonso-kumi-iwse-antony-maubert.htmlmi-iwase-antony-maubert.htmlljazz.blogspot.com.es/2016/0/edit
REVIEWS (SELECTION)

On La aurora que surgía de las colinas (2015)
     Diario de Teruel (Spain), 01/05/2015 by F.J.M.
"..donde la memoria se funde con el arte y la poesía"

Gefle Dagblad (Sweden), 11/03/2012 by Camilla Dal 
"..Antony Maubert Edith Alonso & Olle Oljud improvised outright nasty and deafening mixed with humor and beautiful sounds, wish I got to lie down comfortably and simply swept away

La Provincia (Mexico), 16/04/2010 by La Provincia
"Buscan sonidos primigenios" an interview

Diario El Levante (Spain), 26/10/2007 by JJG Roy
"..We could enjoy works like the delicate and wonderful Presagios (Edith Alonso), a piece that filled the room, a huge and unusual sensitivity in electro-acoustics. Also noteworthy was Ce Qui Fait Aura Notre Solitude (Antony Maubert) where the author shows a deep understanding of the tools used and security in one's own creativity. Not only was one of the best auditions we attend the Festival XIV Meeting Point, but opened important doors to what may be thefuture of music and acousmatic mixed. The generational change is a reality".